Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li

Architectural, Beautiful , Bright, Collage, Contemplative, Egalitarian, Event, Experimental, Geometric, Gritty, Intimate, Joyful, Perceptual, Political, Quiet, Rhythmic, Rough, Severe, Spare, Spectral, Subtle

Hannah Dougherty was born in Philadelphia. After studying painting and literature at the Maryland Institute College of Art, she moved to Berlin, Germany, where she is currently living and working. Her large-scale paintings and installations draw inspiration from classical literature, mythology, fol

Perceptual, Pop, Pop-tech

Born in Mexico City, I now live in Chihuahua where I make art using whatever I can find, inspired by whatever I see. And I try to see things there and possibly there; I conjure possible worlds into the actual world.

Cartoonish, Collage, Expansive, Fuzzy, Perceptual, Surface, Surreal, Trippy

For Merleau-Ponty, we are never separate from the world. On the contrary, we are part of the world. In fact, we can only partake of the world, only know the world, precisely because we are made of the same stuff as the world. In his own words, we are part of the 'flesh.' In his great essay, "Ch

Baroque, Lyrical, Perceptual, Phenomenology, Repetition, Sensual, Surface