Evincing probably the most machismo of the macho male Minimalist sculptors, Richard Serra defines the very meaning of power and control -- tackling tonnages of sheets of steel into gentle submission. One does not merely contemplate his 1997-98 "Torqued Ellipses," one is consumed by it, traversing and
Ono's work has generally consisted of quiet, personalized, meditative pieces, as well as "event" shows or Happenings, all of which were highly conceptual and often required observer participation to complete. In her "Stone Show" (early 1960s), participants entered a room measuring about 20 square fee
In the '70s and early '80s, ballet in America became, fleetingly, a pinnacle of popularized glamor. The blinding star of this bright moment was Mikhail Baryshnikov, known even to philistines as the charismatic Misha. He swiftly became the saving grace of ballet's lagging box office after critic Clive
He was known with affectionate reverence as "Mr. B," and that imperious initial may as well have stood for "ballet" itself. Without George Balanchine, there would be no American ballet, only ballet in America. The self-proclaimed artistic descendent of the great Russian choreographer Marius Petipa, B