Rachelle Garniez, singer / songwriter / accordionist / performer was born into a musical family in New York City and has been devoted to music ever since. She began playing the accordion in 1986, and her explorations have taken her from playing on the subway platforms and in the clubs of New York to
"A movement without motivation is unthinkable," Doris Humphrey wrote in "The Art of Making Dances," and she lived this statement out in her life, career, and dances. At a time when many dance artists were still acting out a balletic obsession with the presentation of limbs, Humphrey cultivated a deep
Picture cascading waterfalls of women, bedecked in identical glittering costumes and moving in eerie unison. Picture abstract, kaleidoscopic shots that slowly reveal themselves to be composed of live, dancing bodies -- dancing bodies in pools of water, on rotating stages, in the middle of grandly the
Kraftwerk's reclusiveness is notorious. They've turned down all offers to work with big names-- not David Bowie, not Elton John, nor Michael Jackson neither. They've never re-mixed the work of another artist. They hold the reins over production tightly, to the point of self-management. They haven't e