Fade in: a scorpion writhing in the dust. Its jagged red tail repeatedly plunges into its own body in a last-ditch effort at dignity and self-preservation. As the camera pulls back, we see children huddled over the desert insect, poking it with a stick and jeering at its hopeless state. This is j

Pathos, Physical force, Pioneering, Power, Violent, Witty

"A camera in your hand and an idea in your head" was how film critic-turned-filmmaker Glauber Rocha characterized the creative conditions under which Brazil's "Cinema Novo" (New Cinema) began. Rocha was the movement's guiding spirit, both in theory and in practice, as he and other filmmakers sought t

Cinema novo, Epic, Intense, Political, Social revolution, Violent

When Chow Yun-Fat steps into view, your eyes are immediately drawn to him. He commands the screen with an undeniable charisma and an imitable sense of the cool. For his cool is not detached, it's not ironic or cold or urban in any familiar way. No, Chow Yun-Fat's cool is distinctly warm: you trust hi

Agitated, Charming, Cool, Hong kong action, Kinetic, Physical force, Slick, Violent

Two killers -- former friends split by the ordeals of life. One turns to a life of crime. The other, to law enforcement. Each transforms into a human weapon and they face off in slow motion. Welcome to the world of filmmaker John Woo, a master of hyper-stylized action flicks, who proffers "heroic blo

Cartoonish, Cool, Hong kong action, Kinetic, Slick, Sublime, Tense, Violent