A member of the legendary Cahiers quintet, Jacques Rivette was a critic before a filmmaker. Reading his early criticism, though, it’s clear he thought in images from the start, even in words, emphasizing closed complex circuits of mise-en-scene, the better to form meaning. However, he trains one ey
'I wanted to make a movie that would be a jumble of images, instead of just showing the highlights of each scene. I wanted to show the details, and if such detail could be seen as a mosaic of the whole, and in retrospect, if the view could recall the movie in that way, then that would fit my intentio