Iris Murdoch's fiction has a way of exposing fears and insecurities; suspense and an impending sense of death drive the plots of many of her novels. Dark, uncontrollable forces are abroad in her world, and keep her readers shifting, looking over their shoulders, and counting the shadows on the wall.
Julian Barnes treats history with a whip of irony. An indignant yet playful voice streams through his novels, a voice that asks just how dependent we are on our past and why. Is history a crutch that actually handicaps us? Is our belief that the past offers the ultimate purchase on truth a massive de
In the introduction to her novel "Babel Tower," A.S. Byatt says that her intention was to write a book without metaphors. Apparently this proved a difficult feat: "The best I could do was a kind of regretful commentary on the impossibility of refraining from metaphor."
Right. Byatt is a serious m
In 1994 Dennis Potter knew he was going to die. The writer of such television theater masterpieces as "The Singing Detective" and "Pennies from Heaven" had just been diagnosed with untreatable cancer of the liver and pancreas. In a strange move, he agreed to talk with the BBC about his life and immin