Many contemporary editions of St. Augustine's "Confessions" end with Chapter Ten on the grounds that what follows is uninteresting; uninteresting, publishers contend, because 'Confessions' is supposed to be juicy biography, not philosophy. The sins -- the thieving (in one scene, he even pilfers fruit

Classical & biblical literature, Contemplative, Elegant, Religious, Sincere

Contemplative, Intense, Pathos, Romantic literature, Romantic poetry, Self-reflection, Sturm und drang (storm and stress), Sublime

Graham Swift seems to have little in common with his literary contemporaries. While most writers these days spatter their novels with pop culture references and play with distortions of time and narrative, Swift sets his books in a nineteenth-century context and tells good old-fashioned stories. He

Contemplative, Death, Dramatic, Paranoid, Tragic

Iris Murdoch's fiction has a way of exposing fears and insecurities; suspense and an impending sense of death drive the plots of many of her novels. Dark, uncontrollable forces are abroad in her world, and keep her readers shifting, looking over their shoulders, and counting the shadows on the wall.

Classical, Contemplative, Elegant, Expansive, Post-war literature, Psychological