A member of the legendary Cahiers quintet, Jacques Rivette was a critic before a filmmaker. Reading his early criticism, though, it’s clear he thought in images from the start, even in words, emphasizing closed complex circuits of mise-en-scene, the better to form meaning. However, he trains one ey

Absurd, Charming, Conceptual, Death, Enigmatic, Event, Excessive, Feminine, Figurative, Functional, Grotesque, Hallucinatory, Layered, Loose, Manic, Paranoid, Playful, Polychromatic, Quirky, Sardonic, Saturated, Self-reflection, Sexy, Spectral, Whimsical

Trained in philosophy at Harvard under Stanley Cavell before the cinema at AFI, Malick’s slim oeuvre foregrounds this inheritance: each of his four features to date is a period piece of American history; each trains an eye on the natural world (and its relationship with humans and human technologie

Atmospheric, Beautiful , Chance, Citational, Contemplative, Dreamy, Ebullient, Elegant, Event, Feminine, Figurative, Fleeting, Flux, Hypnotic, Illusive, Joyful, Lyrical, Melancholy, Mythic, Open-ended, Perceptual, Playful, Polychromatic, Primal, Quiet, Rhythmic, Self-reflection, Silence, Smart, Sprawling, Sublime, Tragic, Tranquil, Violent, Visceral

Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li

Architectural, Beautiful , Bright, Collage, Contemplative, Egalitarian, Event, Experimental, Geometric, Gritty, Intimate, Joyful, Perceptual, Political, Quiet, Rhythmic, Rough, Severe, Spare, Spectral, Subtle

Paradise is an artist collective formed to explore narrative, image, film, recording, the nether spaces of presence and being, the performative and the now.

Citational, Eclectic, Ecstatic, Elegant, Epic, Erotic, Event, Expansive, Experimental, Intimate