Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li

Architectural, Beautiful , Bright, Collage, Contemplative, Egalitarian, Event, Experimental, Geometric, Gritty, Intimate, Joyful, Perceptual, Political, Quiet, Rhythmic, Rough, Severe, Spare, Spectral, Subtle

Dutch/Californian artist Bas Jan Ader was last seen in 1975 when he took off in what would have been the smallest sailboat ever to cross the Atlantic. He left behind a small oeuvre, often using gravity as a medium, which more than 30 years after his disappearance at sea is more influential than ever

Absurd, Event

Just a guy with a blog (or five) and a love of film, liquids and words. Like WSB, I eat images. Like everybody else, I keep getting older; I just happen to write about it, from a particular angle, on the internet where everybody can see. Sometimes people pay me to write things. I also make little mov

Architectural, Event, Excessive, Flux, Hermeneutics, Joyful, Layered, Lyrical, Mythic, Open-ended, Perceptual, Playful, Repetition, Science fiction, Sensual, Slangy, Sprawling, Urban

Marc Lafia is a new media artist interested in systems and events, authoring machines, context and meaning. His work re-writes, re-invents meaning or enunciation through rewriting forms. Marc’s work emerges in the context of net art, in the condition that the network, new technologies and computati

Architectural, Avant-garde film, Chance, Citational, Conceptual, Conceptual photography, Discourse as event, Event, Expansive, Intimate, Layered, Playful, Repetition, Self-reflection