When Vladek Spiegelman took his son Arthur aside one day to teach him about the Holocaust, it was more than a history lesson; it was a survival lesson. He drew diagrams of the shelter in which he had hidden his family -- not pictures, but simple, urgent drawings that mapped out, in the father's mind,
Among the foremost members of the Frankfurt School, Theodor Adorno launched a tirade against the modern world. With an arsenal of unsupported assertions strung together without obvious connecting elements, Adorno set out to critique what he called the "phantasmagoria" of commodity consumption.
Butoh is always intense. It is the dance of darkness after all. But in the work of the second-generation Butoh company, Sankai Juku, there is a peaceful element, more otherworldly than visceral. Even their name, which means "studio by the mountain and the sea," implies serenity and calm. Their wor
After the crash of the French New Wave had subsided into an uncertain lull, critics complained that French cinema was dead. In reality, it was merely taking a rest.
Enter Olivier Assayas, son of a respected pre-New Wave scriptwriter. Although schooled in literature and painting, Assayas maintaine