When artists come together in a spirit of union, they inevitably need a pulpit from which to expound their theories. For the Brits making films in the late '40s and early '50s, that pulpit was Sequence. Many filmmakers of the Free Cinema Movement and the British New Wave found the pages of this journ

Dark, Lyrical, Violent, Visceral, Young british/kitchen sink/free cinema

You might not know it, but you've already watched one of his movies: "Reservoir Dogs" is a note-perfect rendition of the Chow Yun-Fat vehicle that was Ringo Lam's first big hit, "City on Fire." The original thriller is the story of an undercover cop who finds honor among jewel thieves. Stories of hon

Dark, Hong kong action, Implosive, Kinetic, Physical force, Repetitive, Violent

After the crash of the French New Wave had subsided into an uncertain lull, critics complained that French cinema was dead. In reality, it was merely taking a rest. Enter Olivier Assayas, son of a respected pre-New Wave scriptwriter. Although schooled in literature and painting, Assayas maintaine

Dark, French new wave, Psychological, Self-reflection, Tragic

Another talented chip off the German Expressionist block, F. W. Murnau had a penchant for horror. With "Nosferatu" (1922) he brought the first of countless Count Dracula stories to cinematic light. Murnau made his Dracula as hideous, doomed, and gloomy as later incarnations are suave, elegant, and ta

Classic hollywood, Dark, Death, Elegant, Erotic, German expressionist film, Grotesque, Primal