Kipling was never one to pity the vanquished or cry for the victim. He preferred to praise the victors, fortify the reign of imperialism, legitimize and rationalize colonial order. Having lived in both Bombay and England, Kipling came to see English civilization as the only hope for a dirty, barbaric

Dark, Dense, Eclectic, Masculine, Modernist literature, Modernist poetry, Tense

"Now Japan is a very small, flat, unified world. Everything is very small and very much the same. There are no Others. It tends to be relaxing but it can also be dull. You can't meet with the New or the Strange." Ryu Murakami's words might seem bleak to a Western audience. But to better understan

Anxiety, Dark, Dreamy, Eclectic, Lyrical, Postmodern fiction, Sexy

In 1961, seven years after J.D. Salinger began his lifelong, self-imposed exile from public life, John Updike described the author as "a uniquely relevant literary artist." Whether Salinger thought Updike's statement was a compliment or a slight is irrelevant. Criticism, publicity, or praise -- Salin

Angry, Dark, Dystopic, Post-war literature, Psychological, Rebel

Among the foremost members of the Frankfurt School, Theodor Adorno launched a tirade against the modern world. With an arsenal of unsupported assertions strung together without obvious connecting elements, Adorno set out to critique what he called the "phantasmagoria" of commodity consumption. A c

Angry, Dark, Depressive, Dystopic, Frankfurt school, Intense, Marxism/ideology critique, Severe