Love and war may be huge themes, but Sebastian Faulks approaches them from a microscopic perspective. He detects love in the minute movements of a woman's fingers; in a man's manner of crawling through trenches, he captures fear and torment. Faulks is involved in a romance with detail, charging every
Dickens saw London with dirty eyes. Colored by the Industrial Revolution's residual grime, his vision was thick with haze and factory smoke. He portrayed London's hovels, its drinking dens and shipyards, lodging houses and debtors' prisons, with hard-won insight. The author crept through London's
Some works of art effortlessly draw the core of their subject to surface. William Blake, the great predecessor to the Romantics, understood this well. Whether in a lyrical, allegorical poem like "The Echoing Green" or in the almost futuristic engravings for "The Book of Urizen," he exemplified the ar
As both a conductor and a virtuoso pianist, Daniel Barenboim approaches each of his projects from a dual perspective: he sees a piece as both a physical, sonorous expression and as a structural whole. For Barenboim, integrating the two perspectives is essential to making good music. "The element of p