When people look at Joan Chen, an irresistible urge to see her as the perfect china doll overcomes them, whether they are Chinese themselves or hail from the West. Chen's lifelong battle has been to act her way out of that porcelain persona, and to wrest the director's chair from the hands of those w

Intense, Pathos, Pioneering, Political, Sexy

Fade in: a scorpion writhing in the dust. Its jagged red tail repeatedly plunges into its own body in a last-ditch effort at dignity and self-preservation. As the camera pulls back, we see children huddled over the desert insect, poking it with a stick and jeering at its hopeless state. This is j

Pathos, Physical force, Pioneering, Power, Violent, Witty

Tarkovsky's poetic films, interwoven with loose narrative threads and strikingly sublime images, demand a lot from the viewer, but return much more. In his signature piece "Andrei Rublev" (1969), a three-hour exposition on the fifteenth-century painter, Tarkovsky takes the viewer through series of sc

Depressive, Implosive, Moodscape, Pathos, Political

The next time you watch a Howard Hawks film, look for the seams -- they won't be there. An unobtrusive, quietly gifted director, writer, and producer, Hawks constructed films that seem as effortless and artless as the films of his contemporaries seem idiosyncratic. With a background in mechanical eng

Classic hollywood, Contemplative, Film noir and neo-noir, Layered, Pathos, Subtle