The kids rush to the television, eager for the show "UgoUgo Lhuga" to tune in. As their parents look on in wonder, the children position their cell phones with their dialing fingers poised. Two sumo wrestlers appear on the screen and prepare for a bout. The children pick up the phones and relay comma
The pioneer of American Pop art began using mass-media images in his work in the mid-1950s. His use of appropriated newspaper and magazine images and found objects is central to his aesthetic theory: "Painting relates to both art and life. Neither can be made. I try to act in that gap between the two
Artists often talk about how they hope their work will fundamentally transform the way their audience thinks, perceives, or experiences reality. As members of that monolithic cultural phenomenon "the audience," we should, perhaps, wonder what certain works are doing to our minds. One piece in particu
"De Kooning is probably the most libidinal painter America has ever had." So says art critic Robert Hughes, and when we look at de Kooning's paintings, the way he immersed himself in the female form in his famous "Women" series from the 50s, and the way the body -- admittedly in pieces, but the sensu