Joel and Ethan Coen cut their teeth on relatively low budget, fringe films. The black-humored brothers' deviant reinterpretations of Hollywood formulas laugh in the face of the studio system. Influenced more by cartoons, B-movies, and exploitation flicks than by pretentious prestige productions, the
Jim Jarmusch could be called the father of American Independent Film -- if it didn't seem uncouth to bestow such a grandiose title on a man still so relatively young, and to declare the paternity of such a squirming and bastard art form. Jarmusch moved to New York from his hometown of Akron, Ohio, to
Stephen Sondheim earned his musical stripes alongside the best in the business: his first foray into creating a musical was as lyricist to Leonard Bernstein's composer for "West Side Story" (1957). After a second lyrical outing with Jules Styne's music for "Gypsy" (1959), Sondheim was ready to brave
In 1955, along with Seymour Chwast, Edward Sorel, and Reynold Ruffin, Milton Glaser cofounded the Pushpin graphic design studio in New York. The studio's surprising style, which combined aspects of Victorian art, Arts and Crafts, Art Nouveau, and Art Deco with contemporary typography and illustration