Paula Vogel has reaped success from risk, taking on controversial subjects such as AIDS (notably in 'The Baltimore Waltz,' for which she won an Obie in 1992), gay parenting, pornography, and prostitution. It seems unlikely, but it was her most controversial subject matter that brought her the most ma

Contemporary plays, Feminist, Feminist theater, Gay/lesbian theater, Intimate, Layered, Political, Queer, Self-reflection, Sophisticated, Witty

According to some, "the voice of a generation" echoes through the pen of playwright Wendy Wasserstein. More specifically, her plume speaks for the generation of women who were first caught up in the women's liberation movement. Too educated and too driven to be satisfied as housewives and mothers, th

Contemporary plays, Feminist, Feminist theater, Ironic, Jewish theater, Neurotic, Witty

Stephen Sondheim earned his musical stripes alongside the best in the business: his first foray into creating a musical was as lyricist to Leonard Bernstein's composer for "West Side Story" (1957). After a second lyrical outing with Jules Styne's music for "Gypsy" (1959), Sondheim was ready to brave

20th-century music, Bubblicious, Grand, New american musical, Rhythmic, Witty

Laurie Anderson trained as a violinist, art historian, sculptor, and more recently, as a poet. For those familiar with her work, the mere mention of her name is enough to start a multimedia memory extravaganza. Anderson embraced multiple technologies before "multimedia" became an unhyphenated wor

Cd-rom, Collage, Composed, Electronic, New musical hybrids, Political, Repetitive, Smarty arty pop, Technology, Trippy, Witty