In his heyday, Robert Venturi was more theorist than architect. With a grasp of subtle architectural concepts, Venturi sought to define a Pop architecture for an American society that he claimed was bored by orthodox Modernist architecture. His building designs during the 1960s and 1970s exhibited a
"I salute Antonin Artaud," wrote Andre Breton, "for his passionate, heroic negation of everything that causes us to be dead while alive." The French actor, director, poet, and theorist was an enraged man of arguable genius; nevertheless, his writings are seminal influences on experimental theater. Ar
Joel and Ethan Coen cut their teeth on relatively low budget, fringe films. The black-humored brothers' deviant reinterpretations of Hollywood formulas laugh in the face of the studio system. Influenced more by cartoons, B-movies, and exploitation flicks than by pretentious prestige productions, the
Jim Jarmusch could be called the father of American Independent Film -- if it didn't seem uncouth to bestow such a grandiose title on a man still so relatively young, and to declare the paternity of such a squirming and bastard art form. Jarmusch moved to New York from his hometown of Akron, Ohio, to