I am currently pursuing an MA in Text and Performance (part-time) at the Royal Academy of Dramatic Art/Birkbeck and am looking to assist directors with their projects over the summer.
As a Shelby Davis Scholar majoring in English and Theater, I directed David Harrower’s
Charlie Kaufman is one of the most well-known screenwriters in American cinema, a rare position in a field dominated by directors. His work is known for being highly inventive, self-referential, postmodern, and surreal. He wrote Being John Malkovich and Adaptation (both directed by S
As with any movement of which its title and ideological thrust is foisted unwittingly and often unwarrantedly upon its supposed members, the Theater of the Absurd is as awkward and uneasy a fit for Eugène Ionesco's literary and artistic endeavors as they are for Samuel Beckett or Jean Genet
"All I wanted was to say honestly to people: 'Have a look at yourselves and see how bad and dreary your lives are!' The important thing is that people realize that, for when they do, they will most certainly create another and better life for themselves."
Here we find the very essence of Chekhov