After graduating from Amherst College in 1983, Elliott Arkin got his start in New York as window designer for Tiffany’s and a special-effectsmodel-builder for films and commercials. These experiences continue to inform his work, which operates in the spaces between high art and popular culture. H
In his heyday, Robert Venturi was more theorist than architect. With a grasp of subtle architectural concepts, Venturi sought to define a Pop architecture for an American society that he claimed was bored by orthodox Modernist architecture. His building designs during the 1960s and 1970s exhibited a