Chicago poet, assemblage artist, indigent, and musician. Is into accidents.

Beautiful , Collage, Cool, Dreamy, Ecstatic, Electronic, Elegant, Erotic, Ethereal, Euphoric, Hallucinatory, Melancholy, Mythic, Pastoral, Playful, Rebel, Repetitive, Rhythmic, Serial, Spectral

Mahmoud Ahmed (born May 8, 1941) is an Ethiopian singer of Gurage ancestry. Born in Addis Ababa, Mahmoud shined shoes in that city before becoming a handyman at the Arizona Club, where he first sang professionally in the early 1960s. He sang for the Imperial Body Guard Band until 1974, and recorded w

Atmospheric, Classical, Composed, Ebullient, Hypnotic, Intense, Intimate, Lyrical, Old school african '60s/'70s, Power, Primal, Pristine, Repetition, Repetitive, Rhythmic, Sensual, Smoky, Social revolution, Sophisticated

The diversity of the music of Can owes a lot to its equally eclectic influences. Holger Czukay and Irmin Schmidt were both pupils of Karlheinz Stockhausen. This meant that the early Can inherited a strong grounding in his musical theory, with the latter being trained as a classical pianist. Michael K

Absurd, Dreamy, Expansive, Fuzzy, Hallucinatory, Hypnotic, Improvised, Moody, Playful, Power, Primal, Psychedelic, Repetition, Repetitive, Rhythmic, Spare, Sprawling, Tribal

Thione Ballago Seck (born March 12, 1955) is one of Senegal's greatest singers and musicians in the mbalax genre, on par with Baaba Maal and Youssou N'dour although he hasn't achieved the same level of fame outside his country. Seck comes from a family of "griot" singers from the Wolof people of Sene

Bright, Charming, Hypnotic, Intense, Joyful, Mbalax, Pop, Power, Religious, Repetition, Repetitive, Rhythmic, Self-reflection, Sensual, Serene, Sophisticated