One of the most important Native American writers of the post-1968 generation, James Welch, to a large degree, established a genre. What he gave us was Native American Literature: literature unmistakably about Indian subjects, written by an Indian writer. His characters were never drawn from sensa

Clean, Clever, Deconstructive, Epic, Expansive, Figurative, Illusive, Lyrical, Mythic, Native american fiction, Native american poetry, Pioneering, Post-colonialism, Sincere, Spiritual, Sublime, Tragic, Tribal

Sherman J. Alexie, Jr. was born in October 1966. A Spokane/Coeur d'Alene Indian, he grew up on the Spokane Indian Reservation in Wellpinit, WA, about 50 miles northwest of Spokane. Born hydrocephalic (water on the brain), Alexie underwent brain operation at the age of six. He survived the surgery,

Angry, Dark, Death, Deconstructive, Dreamy, In-your-face, Lyrical, Mythic, Native american fiction, Native american poetry, Pioneering, Playful, Political, Post-colonialism, Rhythmic, Rough, Spiritual, Tragic, Tribal

At the mention of international intrigue and espionage, we naturally think of dashing secret agents who play roulette in Monacco while dressed in sparkling white dinner jackets. If the story involves a mad dictator, we expect his adversary to be a clever and precise dandy, whose smart lip can undo th

Ironic, Melancholy, Post-war literature, Power, Religious, Tragic

The context for Malcolm Lowry's masterpiece, "Under the Volcano," is simple: a single day in the life of Geoffrey Firmin. It happens to be his last. The place is Quauhnahuac, Mexico, the day the Day of the Dead. As the locals celebrate the souls of the deceased, Firmin (also known as "the Consul"), h

Death, Dense, Euphoric, Hallucinatory, Modernist literature, Sprawling, Tragic