My work deals directly with my perceptions and the subsequent exploration of the tension between shape and space to find new visual relationships. Space is defined as the infinite extension in which all matter exists. Plane is a flat level surface. For me this work addresses a larger issue: that it i

Geometric, Open-ended, Perceptual

Atmospheric, Baroque, Beautiful , Chance, Classic hollywood, Classical, Clever, Composed, Conceptual, Contemplative, Dense, Dissonant, Dreamy, Ethereal, Experimental, Fleeting, Functional, Funny, Geometric, Hi-tech, Hypnotic, Illusive, Improvised, Intense, Intimate, Lush, Lyrical, Melancholy, Minimal, Open-ended, Organic, Paranoid, Playful, Pop, Quiet, Self-reflection, Sensual, Serene, Serial, Sincere, Smart, Sophisticated, Spare, Spectral, Sprawling, Sublime, Subtle, Visceral

Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li

Architectural, Beautiful , Bright, Collage, Contemplative, Egalitarian, Event, Experimental, Geometric, Gritty, Intimate, Joyful, Perceptual, Political, Quiet, Rhythmic, Rough, Severe, Spare, Spectral, Subtle

Oskar Fischinger (1900-1967) embodied the modernist ideal of the maladaptive artist so well that a balanced evaluation of his work as filmmaker and painter depends on one’s ability to withhold automatic beatification based solely on his biography. Born and educated in Germany, exiled to Los Angeles

Abstract painting, Abstraction, Avant-garde film, Geometric, Polychromatic