Edward Albee calls his work "an examination of the American Scene, an attack on the substitution of artificial for real values in our society, a condemnation of complacency, cruelty, and emasculation and vacuity, a stand against the fiction that everything in this slipping land of ours is peachy-keen
It makes sense that Robert Wilson comes from Texas. Sure, his theatrical productions are firmly grounded in the interdisciplinary avant-garde, but they also have much in common with that four-hour dustbowl epic of 1950s cinema, "Giant." His works are massive and rangy, ghost towns under a slow heat a
In a 1909 essay called "How to Write a Play," George Bernard Shaw argued that the great playwright must "pick out the significant incidents from the chaos of daily happenings and arrange them so that their relation to one another becomes significant, thus changing us from bewildered spectators of a m
In her poetical, feminist tracts, French Lacanian theorist Luce Irigaray imagines the female genitalia as a second set of lips, a second mouth if you will, a second means of communication. Playwright and monologist Eve Ensler has certainly taken that proposition to heart in her most performed work to