Art is at once a product of culture and a creator of it. Our attitudes toward artists and artistic creation are currently ambivalent; society at large marginalizes artists but also reveres the few creators that float the multi-billion dollar art market. Critic Suzi Gablik investigates our attitudes t
Among the foremost members of the Frankfurt School, Theodor Adorno launched a tirade against the modern world. With an arsenal of unsupported assertions strung together without obvious connecting elements, Adorno set out to critique what he called the "phantasmagoria" of commodity consumption.
A combination of artspeak and gossip, Matthew Collings' seemingly casual ruminations can reveal surprising depth beneath their absorbing surface: in a way he is crafting a new kind of art criticism, chic, clever, and street-smart, but with an edgy self-consciousness that mimics the style of contempor
Clement Greenberg began pronouncing his aesthetic judgements in the 1930s, inaugurating a personal Golden Age that lasted into the '50s. During these decades, Greenberg wrote clearly and perceptively about Modernist art, serving as the editor of Partisan Review and as art critic for the Nation. The a