After graduating from Amherst College in 1983, Elliott Arkin got his start in New York as window designer for Tiffany’s and a special-effectsmodel-builder for films and commercials. These experiences continue to inform his work, which operates in the spaces between high art and popular culture. H
Donatello brought the sculpted body back to life after its long Medieval slumber. Whereas earlier sculptors, prompted by Christian prudery, had drained the body of its vigor, cloaked its nakedness, and stripped it of individuality, Donatello revealed the body as a singular organic unity. He observed