Donatello brought the sculpted body back to life after its long Medieval slumber. Whereas earlier sculptors, prompted by Christian prudery, had drained the body of its vigor, cloaked its nakedness, and stripped it of individuality, Donatello revealed the body as a singular organic unity. He observed
French Impressionism was not just a style, an approach to brushwork, or a sensitivity to light. It was a new kind of content: a focus on the middle-class life of afternoons at the park, outings to the seashore, and a domestic world of well-appointed interiors. This turn toward familial and private sc
At the beginning of the twentieth century, the aesthetic and intellectual world of England belonged to the Bloomsbury group. By now its members are household names: Bertrand Russell, Clive Bell, D.H. Lawrence, E.M. Forster, Virginia Woolf. Their writings alone speak volumes about the Bloomsbury pench
Georges Seurat's "A Sunday Afternoon on the Island of La Grande Jatte" (1886) remains a landmark painting. It established the Parisian artist as one of the figures who would push Impressionism towards its logical conclusion. And push he did, in the direction of abstraction and a radically scientific