The kids rush to the television, eager for the show "UgoUgo Lhuga" to tune in. As their parents look on in wonder, the children position their cell phones with their dialing fingers poised. Two sumo wrestlers appear on the screen and prepare for a bout. The children pick up the phones and relay comma
As social animals, we are forced into constant acts of duplicity. Certain situations demand that we act ebullient when we feel depressed, polite when we feel hatred, social when we feel hermetic. Such is the conflicted nature of the social mask. Exchanging these masks at a moment's notice seems to be
"I divide my work into two categories, B.C. and A.D., before computers, after digital." So states Lynn Hershman, one of the most celebrated artists working in interactive media technologies; her digital art is so interactive that it requires participants, not viewers. Hershman explores the invasion