Trained as a filmmaker Lafia's work is informed by a joyous engagement with the formal qualities of artistic practice. In his own words, his "work is an exploration of how discourse constructs itself." His early experimental films -- "Auto-re-tour" and "Fini La Guerre" -- investigate the tensions be
Hybridity is the name of Shu Lea Cheang's game. Her co-participants are artists and cyber-communitarians everywhere. The artist's earlier participation in the activist video/media art movement of the 1980s has slowly mutated to incorporate new communications technologies -- like the Internet -- to ex
Artists often talk about how they hope their work will fundamentally transform the way their audience thinks, perceives, or experiences reality. As members of that monolithic cultural phenomenon "the audience," we should, perhaps, wonder what certain works are doing to our minds. One piece in particu
"I divide my work into two categories, B.C. and A.D., before computers, after digital." So states Lynn Hershman, one of the most celebrated artists working in interactive media technologies; her digital art is so interactive that it requires participants, not viewers. Hershman explores the invasion