Andre Breton's hallucinatory approach to poetry emerged as a reaction against the tiresome literary conventions of Paris in the 1920s. Abandoning traditional notions of creativity and promoting the philosophical and political ideals of the Surrealist movement, Breton's highly stylized yet spontane
Kahlo began painting at 18 while recovering from injuries she received in a trolley accident that left her scarred for life; her spine was broken in 17 places and her reproductive organs were damaged by a shaft of metal that impaled her pelvis.
Her early paintings were academic portraits of frien
Imagine holding the end of a live wire in each hand. Now imagine one end is shaped like a turtle and the other end is, let's say, Pavarotti's beard. Now bring them together. Feel that electricity? That's called art -- or at least it's a metaphor for the Surrealist art of Max Ernst.
"Since the age of the cave-dwellers, art has done nothing but degenerate." So said Joan Miro, one of the most unique painter-sculptors of the twentieth century. Miro's statement, aside from revealing his views on the history of art, also says something about his own artistic aims. He wanted to br