Andre Breton's hallucinatory approach to poetry emerged as a reaction against the tiresome literary conventions of Paris in the 1920s. Abandoning traditional notions of creativity and promoting the philosophical and political ideals of the Surrealist movement, Breton's highly stylized yet spontane
Salvador Dali was half-artist, half-imp, and all lunatic. Heavily influenced by Sigmund Freud's theories of dream interpretations and the subconscious, Dali sought to depict not visible objects but their associated images and subconscious meanings. For Dali, the life of the mind was life itself, and
"Since the age of the cave-dwellers, art has done nothing but degenerate." So said Joan Miro, one of the most unique painter-sculptors of the twentieth century. Miro's statement, aside from revealing his views on the history of art, also says something about his own artistic aims. He wanted to br
Kahlo began painting at 18 while recovering from injuries she received in a trolley accident that left her scarred for life; her spine was broken in 17 places and her reproductive organs were damaged by a shaft of metal that impaled her pelvis.
Her early paintings were academic portraits of frien