On June 9, 1978, an obituary appeared with the headline "On the death of Hannah Hoch, the bob-haired muse of the Men's Club." For much of her life, Hoch had been characterized as the "It Girl" of the macho Berlin art circle dominated by George Grosz, John Heartfield, Richard Huelsenbeck, and Raoul Ha
Kurt Schwitters is generally acknowledged as the twentieth century's greatest master of collage. Just as collage is essentially the medium of irony, so Schwitters' life is characterized by paradox and enigma. Born in Hanover, the only child of affluent parents, he was a loner in his youth, plagued by
Imagine holding the end of a live wire in each hand. Now imagine one end is shaped like a turtle and the other end is, let's say, Pavarotti's beard. Now bring them together. Feel that electricity? That's called art -- or at least it's a metaphor for the Surrealist art of Max Ernst.
Annie Stephens grew up in a little home in Ottawa Ontario with four other small wild and barefoot sisters. Educated at the kitchen table, their world was often self-created realities stepped into or put to paper, paper secrets and bantam bones, skinned knees, ghosts found and some conjured. Today Ann