Annie Stephens grew up in a little home in Ottawa Ontario with four other small wild and barefoot sisters. Educated at the kitchen table, their world was often self-created realities stepped into or put to paper, paper secrets and bantam bones, skinned knees, ghosts found and some conjured. Today Ann
From around 1960, in response to the modernist mainstream in Slovak art, Július Koller began to develop his aesthetic position of the “antihappening.” His strategy consists in using real objects and everyday life as the predefined program for an aesthetic operation: from 1965, in texts rubbersta