Few artists' careers appear to be more disjunctive than Richard Prince's. He garnered his fame (either earned or overrated, depending on whom you talk to) as the '80s king of "Appropriation Art," a school of photographers who, simply put, championed ripping off intellectual property as a form of s
Most of Pierson's work consists of smallish monochromes created with an oilstick on paper. "What You Take With You and What You Leave Behind" (1994) depicts a wooden folding chair with a short-sleeved, silk-print shirt dangling from its back, a coffee cup, and cigarette butts scattered around the flo