From around 1960, in response to the modernist mainstream in Slovak art, Július Koller began to develop his aesthetic position of the “antihappening.” His strategy consists in using real objects and everyday life as the predefined program for an aesthetic operation: from 1965, in texts rubbersta
Victor Hugo once said that, in contrast to the sublime, the grotesque is the richest material that nature can offer art. Iva Gueorguieva heeds Hugo's words, fashioning wall-sized paintings laden with thickly rendered, sickly hued detail. Gueorguieva's works embody the hybridized and occasionally terr
Sebastiao Salgado is a Brazilian documentary photographer and photojournalist.
After a somewhat itinerant childhood, Salgado initially trained as an economist, earning a master’s degree in economics from the University of São Paulo in Brazil. He began work as an economist for the International
Houses are loaded: places where folks make love and trouble, cheat on their taxes, scold their children, drink too many cocktails, and break bread with friends. Actions of intimacy, decadence, indecency, and good old-fashioned humanity take place inside walls of stone, metal, wood, and glass. But wha