Salvador Dali was half-artist, half-imp, and all lunatic. Heavily influenced by Sigmund Freud's theories of dream interpretations and the subconscious, Dali sought to depict not visible objects but their associated images and subconscious meanings. For Dali, the life of the mind was life itself, and
"Since the age of the cave-dwellers, art has done nothing but degenerate." So said Joan Miro, one of the most unique painter-sculptors of the twentieth century. Miro's statement, aside from revealing his views on the history of art, also says something about his own artistic aims. He wanted to br
Kahlo began painting at 18 while recovering from injuries she received in a trolley accident that left her scarred for life; her spine was broken in 17 places and her reproductive organs were damaged by a shaft of metal that impaled her pelvis.
Her early paintings were academic portraits of frien
Like an avenging angel invading the capital of high culture, Pablo Picasso came to Paris to confront the establishment and write himself across the face of modernity. He viewed art as a way of recreating himself, and invented -- only to later shed -- any number of artistic styles.
The young Picas