In her poetical, feminist tracts, French Lacanian theorist Luce Irigaray imagines the female genitalia as a second set of lips, a second mouth if you will, a second means of communication. Playwright and monologist Eve Ensler has certainly taken that proposition to heart in her most performed work to
Playwright, professor, and Performance artist Anna Deveare Smith grounds her avant-garde theater in the infinitely strange world of reality. "I look for the poem that the person is," Smith says of the real-people inspirations for her dramatic characters. Instead of creating intricate backgrounds for
Spalding Gray splashed into the national consciousness with the epic monologue-cum-performance piece "Swimming to Cambodia" (1985), a distinctive solo show that has been on the road in some incarnation for well-nigh 20 years. He cut his teeth on Postmodern performance theory with SoHo's experimental