The legendary "granny of Mexican cinema" began her movie career when she was a 22-year-old teacher in a nun's school for girls. One day, young Sara's attention was attracted to a small building in downtown Mexico City. Inside it was Azteca Films, one of the very fir
I create visual material using both human and other living and still subjects as references. My compositions of persons and human activity seek to achieve distinctive figurative identities through reference to both other organic elements and artificial material in various p