Dieter Appelt Dieter Appelt has been a Professor of Photography, Film and Video at the Hochschule der Kunst in Berlin since 1982. He studied photography at the Academy of Fine Art in Berlin as well as music at Leipzig and Berlin Music Academies. Appelt's work of the late 70's & 80's was typically

Avant-garde film, In-your-face, Intense, Intimate, Organic, Political, Portrait, Self-reflection

Twenty minutes to collect 100,000 deutsche marks. Pulsating techno. Whip pans and fast edits. A fiery heroine with dyed-red hair frantically running to save her boyfriend's life. "The initial idea was an image," says 34-year-old director Tom Tykwer. "The image of a woman running." This apparently or

Avant-garde film, Bright, Cartoonish, Chance, Charming, New german cinema, Pop, Repetition, Smart

Marc Lafia is a new media artist interested in systems and events, authoring machines, context and meaning. His work re-writes, re-invents meaning or enunciation through rewriting forms. Marc’s work emerges in the context of net art, in the condition that the network, new technologies and computati

Architectural, Avant-garde film, Chance, Citational, Conceptual, Conceptual photography, Discourse as event, Event, Expansive, Intimate, Layered, Playful, Repetition, Self-reflection

As a filmmaker, Peter Greenaway funnels influences from many art forms onto the screen. Primary among these influences is painting -- his cinematic eye is informed by a training in art history and a painterly sense of color, composition, and frame. Greenaway learned to work in the medium of film thro

Avant-garde film, Erotic, Ethereal, Implosive, Layered, Surreal