Known as the experimental and uncompromising bad boy of post-war Danish design, Verner Panton pushed the design envelope as far as he could. He used steel wire frames and molded plastic like no designer before him. And then there were the textiles. Panton created total atmospheric experiences; his fa

Biomorphic, Bubblicious, Pop/surrealism/anti-design, Psychedelic, Round, Trippy

Slinky, kinky, and plastic. These are the descriptors that Joe Colombo's version of a utopian space-age future calls to mind. In the 1960s, sci-fi fantasies gave rise to molded curves, tubular furniture, and synthetic fabrics. The Italians and Scandinavians were at the forefront of the design revolut

Fantastic, Playful, Pop/surrealism/anti-design, Quirky, Round

"Windows are the great unsung heroes of image communication: They are 3-D billboards bolted to the front of your store." In the early '80s, Simon Doonan changed our concept of "window shopping." Part elaborate artistic creation, part unbridled sales promotion, Doonan's windows heralded a new phase of

Glamour, Ironic, Pop, Quirky, Surreal

A more emotional list of materials for Tadao Ando's buildings would include light, stillness, and space in addition to concrete, glass, and steel. A self-taught architect, Ando wandered the streets and back alleys of the United States, Europe, Africa, and his native Japan, studying places and spaces

Empty, Geometric, Metabolism and the japanese new wave, Minimalist architecture, Serene, Tranquil