From around 1960, in response to the modernist mainstream in Slovak art, Július Koller began to develop his aesthetic position of the “antihappening.” His strategy consists in using real objects and everyday life as the predefined program for an aesthetic operation: from 1965, in texts rubbersta
Faced with an unforgiving lump of marble, the 80-year-old Michelangelo sent more splinters soaring (and at three times the speed) than three robust stone cutters could produce. Mad with loneliness (his lover, Vittoria Colonna, closest friend, Luigi del Riccio, and lifetime servant, Urbino, were all d
Richard Rossetto has trained in the arts since he was a boy. He has been trained in theater, dance ,music and visual art. For the past fifteen years he has concentrated on visual arts, really though he is interested in pushing humanity Furthur, in any way shape or form.
After being classically tra