From around 1960, in response to the modernist mainstream in Slovak art, Július Koller began to develop his aesthetic position of the “antihappening.” His strategy consists in using real objects and everyday life as the predefined program for an aesthetic operation: from 1965, in texts rubbersta
In his early career, during the late 1960s and early 70s, Robert Irwin followed in the footsteps of the abstract expressionists. He started as a painter, but quickly adopted objects and materials that would allow him to explore, with greater breadth, notions of perception and the effects of light and
Meeson Pae Yang was born in Indianapolis, Indiana in 1979, and moved to Southern California at a young age. Her exploration of art began in her early twenties while struggling with the death of her younger brother to cancer. When words no longer sufficed to express the insurmountable well of emotion
Adrian Piper is a Conceptual artist who uses language, rhetoric, and visual media to create pieces that render issues such as racism and xenophobia in harshly realistic terms. Also an accomplished professor of philosophy at Wellesley College, Piper sees racism as "a visual and cognitive pathology tha