When the arts were being revolutionized in Paris in the 1920s, sculpture was being pushed in two directions: toward the abstract and toward the constructive. Much of the stylistic developments came from Cubism, while Surrealism introduced the subconscious as a source for subject matter. And the young
"Form follows emotion" is one of the maxims that informs Ross Lovegrove's designs. Born in Wales, he received his training as an industrial designer at Manchester Polytechnic and the Royal College of Art, then joined Frog Design Germany. At the start of the '90s Lovegrove opened his own office, Studi
Arguably the finest architect and designer to hail from the banks of the Clyde, Scotland's Charles Rennie Mackintosh is known worldwide. His unique style combined straight geometrical lines with the sinuous curves of Art Nouveau and the organic symbolism of the English Arts and Crafts movement. A for
"The evolution of culture marches with the elimination of ornament from useful objects." Adolf Loos was deeply concerned about the state of architecture in turn-of-the-century Austria. Loos objected to the Art Nouveau movement -- with its stress on the personal and the decorative, and its rejection o