Enrico Cecchetti was literally born into dance: he came into this world in a theater dressing room, only to make his stage debut moments later as an infant in his father's arms. In the 78 years to follow, Cecchetti never left the dance world. Despite his great talent and importance, Cecchetti did

Classical, Composed, Grand, Physical force, Romantic ballet

He was known with affectionate reverence as "Mr. B," and that imperious initial may as well have stood for "ballet" itself. Without George Balanchine, there would be no American ballet, only ballet in America. The self-proclaimed artistic descendent of the great Russian choreographer Marius Petipa, B

Bombast, High modernism -- ballet in america, Machinistic, Physical force, Pioneering

In the '70s and early '80s, ballet in America became, fleetingly, a pinnacle of popularized glamor. The blinding star of this bright moment was Mikhail Baryshnikov, known even to philistines as the charismatic Misha. He swiftly became the saving grace of ballet's lagging box office after critic Clive

Charming, Clean, Elegant, Implosive, Phallic, Physical force, Soviet ballet: the bolshoi and the kirov

Although too erratic in technique to earn the distinction of virtuoso, Rudolf Nureyev still took a place among the most brilliant dancers in history. His flamboyance and charisma garnered him a truly massive audience; it's possible that his dancing has been seen by more people than that of any other

Bombast, Dramatic, Intense, Masculine, Mythic, Severe, Soviet ballet: the bolshoi and the kirov