Bernard Herrmann wrote scores for over 40 movies, providing music for films by Orson Welles, Alfred Hitchcock, Francois Truffaut, and Martin Scorsese. From his first film, "Citizen Kane," to his last, "Taxi Driver," Herrmann heightened psychological nuance and dramatic tension with sound, often using

Dense, Polychromatic, Sophisticated

"Sometimes I have to take a young violinist, string her up between two mike stands, and make an example of her. It's very cruel. But very effective." As you can see, Danny Elfman is different. A strange child with a vivid imagination -- his bedroom walls were completely covered in pictures torn from

Bright, Cartoonish, Funny, Quirky, Round

Nino Rota was one of the most prolific and acclaimed film composers of his era, and his 30-year collaboration with Fellini became one of the classic director-composer pairings. His soundtrack credits range from Fellini's "La Dolce Vita" to Franco Zeffirelli's "Romeo and Juliet" to Francis Ford Coppo

Classical, Expansive, Playful, Surreal

According to Gene Santoro, John Zorn's "idiosyncratic mixtures of musical genres reflect the way popular music is currently transmitted from one culture to another...eclectic is far too weak a word to describe his intensely demanding yet playful sonic assaults." John Zorn's work doesn't simply titill

Cartoonish, Collage, Contemporary/downtown, Excessive, Free jazz, Free/avant-garde, Polychromatic, Psychedelic, Quirky