Jorge Luis Borges had a twisted sense of time. He placed us on the precipice of an infinite event, concentrating past, present, and future in a single coruscating constellation of time. Inspired by the philosophy of Leibnitz, Borges always presented us with a multiplicity of possible worlds. But
Salvador Dali was half-artist, half-imp, and all lunatic. Heavily influenced by Sigmund Freud's theories of dream interpretations and the subconscious, Dali sought to depict not visible objects but their associated images and subconscious meanings. For Dali, the life of the mind was life itself, and
Kahlo began painting at 18 while recovering from injuries she received in a trolley accident that left her scarred for life; her spine was broken in 17 places and her reproductive organs were damaged by a shaft of metal that impaled her pelvis.
Her early paintings were academic portraits of frien
His artistic avocations were many -- poet, novelist, painter, playwright, set designer, actor -- but Jean Cocteau's work as a filmmaker distilled his creative vision with a special lucidity. In film he could bring his Surrealist language and imagery together, making the dreamlike palpable and present