Jorge Luis Borges had a twisted sense of time. He placed us on the precipice of an infinite event, concentrating past, present, and future in a single coruscating constellation of time. Inspired by the philosophy of Leibnitz, Borges always presented us with a multiplicity of possible worlds. But

As with any movement of which its title and ideological thrust is foisted unwittingly and often unwarrantedly upon its supposed members, the Theater of the Absurd is as awkward and uneasy a fit for Eugène Ionesco's literary and artistic endeavors as they are for Samuel Beckett or Jean Genet