Jorge Luis Borges had a twisted sense of time. He placed us on the precipice of an infinite event, concentrating past, present, and future in a single coruscating constellation of time. Inspired by the philosophy of Leibnitz, Borges always presented us with a multiplicity of possible worlds. But
Whether the pond she's skating across is folk, pop-rock, or jazz, Joni Mitchell attacks song with an unfailing ear for off-kilter melody and poetically sparked lyrics. Her thirty-plus years as a musician have seen her experiment with many styles and join forces with players from Neil Young to Charles
Roland Barthes gleefully eluded any attempt to reduce or classify his thought. He was instrumental in spreading word of Structuralism and Semiotics both within and beyond the academy. His "Mythologies" -- a series of pithy readings covering everything from wrestling to soap ads -- remains a canonical
"Nothing is worse," Nietzsche once said, "than the smell of an ill-constituted soul." For this professor of Classics and son of a Protestant minister, things were not hidden, there were no secrets: the world revealed itself. From this base of materialism and realism, Nietzsche assaulted Christianity,