Two killers -- former friends split by the ordeals of life. One turns to a life of crime. The other, to law enforcement. Each transforms into a human weapon and they face off in slow motion. Welcome to the world of filmmaker John Woo, a master of hyper-stylized action flicks, who proffers "heroic blo

Cartoonish, Cool, Hong kong action, Kinetic, Slick, Sublime, Tense, Violent

With an unerring ability both to describe evil and to place himself in its path, Polanski has created a body of work that never fails to elicit shudders and raise questions. He possesses a mordant insight into the politics of sex and violence, an inherent feel for the macabre, and an eccentric and

Erotic, Excessive, Homoerotic, Perverse, Polish new wave, Psychological

Another talented chip off the German Expressionist block, F. W. Murnau had a penchant for horror. With "Nosferatu" (1922) he brought the first of countless Count Dracula stories to cinematic light. Murnau made his Dracula as hideous, doomed, and gloomy as later incarnations are suave, elegant, and ta

Classic hollywood, Dark, Death, Elegant, Erotic, German expressionist film, Grotesque, Primal

"Felliniesque" -- even if you have never watched a scrap of his film, this adjective summons up a world of oddity, magnificence, and pathos that testifies to Federico Fellini's creative genius. Initially part of the Italian Neorealist wave, he soon veered towards an idiosyncratic style all his own. F

Dark, Epic, Perverse, Polychromatic, Post-war italian film, Surreal