Consistently derided as quirky, Wes Anderson's career as a filmmaker has been enviable, lucky, charming and always evolving. What began with the simple, misshapen (but elegant) not-quite-caper film BOTTLE ROCKET, with its focus on friendships not crime, continues to grow and to dream big and to encom

Absurd, Baroque, Bright, Brit-pop, Citational, Clean, Comedies, Elegant, Funny, Implosive, Joyful, Kinetic, Lush, Overflowing, Polychromatic, Sardonic, Sincere, Whimsical, Witty

Michal Rovner (b. 1957, Israel) studied cinema, television, and philosophy at Tel-Aviv University and received a B.F.A. in photography and art at the Bezalel Academy. In 1978, she co-founded Tel Aviv’s Camera Obscura Art School for studies in photography, video, cinema, and computer art. Ten years

Abstract, Complex, Conceptual, Dreamy, Ethereal, Figurative, Repetition

Sherman J. Alexie, Jr. was born in October 1966. A Spokane/Coeur d'Alene Indian, he grew up on the Spokane Indian Reservation in Wellpinit, WA, about 50 miles northwest of Spokane. Born hydrocephalic (water on the brain), Alexie underwent brain operation at the age of six. He survived the surgery,

Angry, Dark, Death, Deconstructive, Dreamy, In-your-face, Lyrical, Mythic, Native american fiction, Native american poetry, Pioneering, Playful, Political, Post-colonialism, Rhythmic, Rough, Spiritual, Tragic, Tribal

Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li

Architectural, Beautiful , Bright, Collage, Contemplative, Egalitarian, Event, Experimental, Geometric, Gritty, Intimate, Joyful, Perceptual, Political, Quiet, Rhythmic, Rough, Severe, Spare, Spectral, Subtle